Color Theory, Part 2

In our last post we talked about the basics of color theory, and how to combine colors. Today we’re going to show you some examples of batts, and how these follow (and break!) the rules of color theory.

Example #1: split complementary

Although this isn’t exactly orange, it’s a hue of orange, so this is an example of a split complementary color scheme.

Example #2: Analogous

Blue-green is the predominant color here, with a little green and a hint of yellow-green. Many ombre colors also use analogous color schemes in addition to changes in value.

Example #3: Breaking the Rules

This is one of Esther’s batts, it uses blue-green, yellow, and hot pink. Green and yellow are a common color combo, but by changing to a tertiary color, and adding in an unexpected pop of pink, gives this combo a little something special.

 

 

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Color Theory, Part 1

Color is critical component of art, and a key to creating beautiful batts. Today we have a primer on color theory, and in Part 2 we’ll be looking at some examples of batts and how they follow (and break!) these common rules.

Let’s start with the color wheel. The color wheel is comprised of three main colors, red, blue, and yellow. In traditional color theory primary colors are the 3 pigment colors that can not be mixed or formed by any combination of other colors. All other colors are derived from these 3 hues.

Secondary colors are created by combining the primary colors. Red+yellow=orange, yellow+blue=green, and blue+red=purple.

Tertiary colors are formed by mixing a primary and a secondary color: yellow-orange, red-orange, red-purple, blue-purple, blue-green & yellow-green. That’s why the hue is a two word name, such as blue-green, red-violet, and yellow-orange.

Traditional Color Combinations

Analogous colors are any three colors which are side by side on a 12 part color wheel, such as blue-green, green, and yellow-green. Usually one of these three colors predominates.

Complementary colors are any two colors which are directly opposite each other, such as red and green, or or yellow-green and red-purple.

Triadic color schemes use colors that are evenly spaced around the color wheel. In the color wheel above the example is orange-red, yellow-green, and blue-purple. When using a triadic color scheme it’s important to balance the colors thoughtfully.

The split-complementary color scheme is a variation on the complementary color scheme. In addition to the base colors, it uses two colors adjacent to its component, so instead of red and green, it would be red, yellow-green, and blue-green.

Nature provides many examples of beautiful color harmony, which is why so many artists continue to draw inspiration from nature. In our next post we’ll show you some examples of beautiful batts and how these rules have been applied (or ignored!).

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Strauch Team Spotlight: Desi

We love to show off our Strauch Fiber family on social media. We’re proud of our hardworking team and the high quality equipment we make here in the shop. Today we’d like to spotlight one of our lazier team members: Desi. Now although Desi doesn’t help much with building tools he is quite interested in the fiber arts.

Desi needle felting.

Desi wet felting.

Desi spinning.

And after a long day, Desi knows how to relax!

Do you have pets that love wool? Share your photos with us on Facebook.

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Christmas Crafts

A few years ago the Strauch team gathered some leftover scraps from swifts to make this wonderful swift Christmas Tree. This tree doesn’t have any ornaments, but if it did, they would be made of wool, of course! So today we have some inspiration for beautiful needle felted ornaments. To see more Christmas crafting inspiration visit the Strauch Pinterest board.

The Magic Onions Blog has a great tutorial for making these gingerbread man ornaments. Knitters everywhere would love these adorable sheep, photo from Webs. We’re not sure exactly what this blog is about since it’s in Turkish, but these felted ornaments are too beautiful not to share. See them all here. From our family here at Strauch, we wish you all a Merry Christmas!

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Esther Rodgers Craftsy Class

We’re excited to share the news that our friend Esther Rodgers from Jazzturtle Creations has her first Craftsy Class now available! 

In this class Esther walks you through using a variety of tools for blending fibers including drum carders, hand carders, hackles, and combs. 

We particularly love Esther’s technique for painting with fiber. It’s a great way to use other fun materials and create beautiful batts. Esther also takes you step-by-step through different ways to remove the fiber from your drum carder, as batts, rolags, and roving. 

We love the Craftsy platform because you can re-watch the videos as many times as you need to, and at any time of the day or night! There’s also a great community for asking questions to Esther and other people taking the class. 

Esther has generously shared a link for you to get her new class at 50% off! Sign up for Fiber Preparation for Spinning with Esther Rodgers here.

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SAFF 2015

We had another great show with Earth Guild at the Southeastern Animal Fiber Fair (SAFF) last month. If you haven’t been SAFF is fiber filled event in Fletcher, North Carolina with classes, animals, and lots of wonderful vendors. Today we’re sharing some photos from this year’s event!

The new SAFF location: a larger facility right next to the one we used for many years. It’s part of the vast WNC Agricultural Center in Fletcher, NC. Lots of vendor space and virtually unlimited parking! Shown is the main entrance to the vast complex.

Setting up the booth!

The booth is ready and we’re ready to meet friendly fiber folk! First thing Friday morning, the crowds start.

As part of the SAFF festivities, there’s “Sheep to Shawl”. I couldn’t help but notice, with pride, the carders that the participants are using.

After hours, the fiber enthusiasts are still working…even in the Comfort Inn lobby.

 


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WestPark Alpacas

Today we’re excited to feature one of our customers, an alpaca farm in Pennsylvania that purchased a Strauch carder for creating batts from their alpaca fiber which are turned into felted pieces. Below is an interview with Pat Scheer, one of the owners of WestPark Alpacas.

Could you tell us about the history of your farm, who started it, where is it?

Our farm is adjacent to I-79, in Slippery Rock, PA.  It started around 8 years ago and is one of the few “purpose-built” alpaca farms.  We started with 22+ acres of gently rolling pasture land with an existing equipment barn.

We built a new barn for females with vet and office space, developed the equipment barn into a boy barn, and continued on over time with another hay & alpaca barn, finishing up with a building for everything else including our hydroponic fodder system.

We started out in the buy – breed – show mode, but gradually became disenchanted with that direction as it is a non-viable business model: dependent upon a robust economy and an unending stream of new and naïve buyers.  Our primary source of income was the agisting of other’s alpacas.  That dried up as owners sold or abandoned their alpacas.

From the original five foundation females, the herd grew to over 75 alpacas  that love to be visited by the curious and interested individuals and groups in the area.

Could you tell us about what products your farm produces?

We have a small store front that sells imported alpaca related products along with Chrisitne’s hand crafted purses, hats, and aprons.


We realized very early on that the current working model of giving fleece away for the privilege of buying finished product at wholesale prices, was limited and basically an unsustainable direction for the American alpaca industry.  We founded a company to help develop a textile market for alpaca, and we are having moderate success while struggling to generate enough yarn through domestic sources.

We happened upon a  felting machine which is a great way to generate finished product from our own fiber without having to go through the many costly steps to have yarn made then turned into finished items. There’s a real satisfaction in being able to say we made it here, with every step here on the farm.

We start with our farm manager shearing the alpacas, hand sorting their fiber into color and fineness groups, washing, drying and carding it into bats and roving to be felted into products we can sell–produced entirely from our herd. Some of our fiber is sent to a local mill to be spun into yarn and carded into large batts – all of which are utilized and sold here at WestPark Alpacas.

The rest of our fiber is carded by our Strauch carder for Christine’s original designs. The Strauch carder is especially effective at blending colors and differing weight fibers into distinctive and unique batts for felting and shaping into products for sale.

How do you plan on using alpaca fiber to grow your business?
We’re in the process of downsizing the livestock part of the farm so that we can concentrate on the creative retail craft business utilizing primarily WestPark generated items.

 

 

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Spinzilla

This year we were excited to help sponsor The Woolery’s Spinzilla team. Spinzilla is a global event designed to increase knowledge and awareness of handspinning. The Woolery came in 13th out of over 60 teams with a total of 102,173 yards of yarn spun in just one week!

Here are some photos of Team Woolery sporting their Strauch and Woolery aprons! 

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Uniquities Fiber Farmers Market

One of the best parts of owning a fiber business is getting to meet fiber enthusiasts and talk to them about what they are passionate about–fiber! This summer we participated again in the semi-annual Fiber Farmers Market at Uniquities yarn shop. You can learn more about this wonderful shop in this previous blog post.

Today we’re sharing some photos from the last market!

All set up and ready for fiber enthusiasts. Joanne tries to get a few stitches in while she waits for the crowds.

Caroline organizing the finishing touches of the displays.

The spinning circle at work.

A customer’s husband was given a job: wind that blue skein into a ball. Well done!

We’d love to see you at one of our upcoming events! See our full list of shows and events here.

Then he gets an education on how to use the motorized Finest drum carder. He’s a keeper!

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Thrummed Knitting

If you haven’t tried thrummed knitting before, this is a wonderful technique for creating an extra thick and warm fabric. It’s traditionally been used in hats and mittens.

What’s a thrum?
A thrum is a small piece of unspun roving that is knit into your project. Thrumming makes the insides soft and fuzzy, and incredibly warm.

What kind of wool should I use for thrumming?
To make a thrum you start by pulling of a piece of roving that’s about 3″ long. If your fiber has a staple length that’s much longer or much shorter you might have trouble. Look for a fiber that’s a medium length and soft, after all this will be next to your skin!

If you’d like to learn more about how to thrum take a look at this great tutorial from Hello Yarn.

Here are also some of our favorite thrummed patterns–you’ll see you can thrum all sorts of projects for extra cozy accessories!

A free pattern for thrummed mittens by Stephane Pearl-McPhee, the Yarn Harlot Thrummed Mittens.

 

Keep your toes warm with these super cozy slippers: Retro Thrum Slippers by Fen Roessingh.

A thrummed hat will keep your head and ears toasty on the coldest days. Thrumviator by Michele Bernstein.

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